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While many productions of this fascinating Strauss/Hofmannsthal hybrid opera have erred towards the story’s comic side – the interruptions of Zerbinetta and her Harlequin troupe – Claus Guth’s brave Zürich staging centers markedly on the tragic fate of Ariadne herself. Emily Magee is a ravishing Ariadne in every way. Looking elegant and sophisticated, acting up a storm just through facial expressions that would make a lesser actress look foolish, she sings with handsome tone and absolute security. Her many levels of piano singing perfectly express the character’s sad plight. Her “Es gibt ein Reich” is in a fine class near the best singers.